OVERKILL

OVERKILL

Nile, Khaotika, Mosura

Sun, March 5, 2017

Doors: 7:00 pm / Show: 7:30 pm

This event is all ages

OVERKILL
OVERKILL
Although everybody seems to have a different account of who came first in the world of New York/New Jersey area thrash metal, it seems certain that New Jersey's Overkill have stayed around the longest, and have never let their fans down by remaining musically consistent and true to their roots for over 20 years and an unprecedented 14 full length albums. By 1987's Taking Over, the band had worked their way up to a deal with Atlantic Records. This relationship would last another 7 years based on the strength and consistency of Overkill's music.

1988's Under The Influence and 1989's The Years Of Decay represent Overkill in their prime. Sid Falck would replace Rat Skates on drums to bring his own brutal percussive assault to Verni's already powerful rhythm section. The band had already established a rabid fan base with songs like "Rotten To The Core" and "Hammerhead" (as well as their infamous cover of D.O.A.'s "Fuck You"), and new songs like "Evil Never Dies" and "Hello From The Gutter" would become Overkill mainstays as well. A video for "Hello From The Gutter" was garnering much fan response when it received play on MTV's "Headbangers Ball". 1994's W.F.O. would be Overkill's final album with Atlantic, as they would release their first official full-length live assault, Wrecking Your Neck on CMC in 1995. 1996-1999 would see Overkill release 3 more full length albums (Killing Kind, From The Underground and Below, and Necroshine). In 2000, Overkill released Bloodletting on Metal-Is, adding guitarist Dave Linsk to the fray. The current Overkill lineup would be completed with the release of the live album Wrecking Everything and the addition of second guitarist Derek Tailer in 2002. Finally, Overkill would release one of their most well-received albums to date Killbox 13 on Spitfire Records in 2003. As fans rabidly await the imminent release of their latest contribution on Spitfire, ReliXIV, it seems obvious that Overkill are, and always have been, a band that knows who their fans are, knows what true metal fans expect, and will settle for nothing but the best from themselves. An entirely self-produced album, ReliXIV is a continuation of the Overkill legacy. Immortalis, the band..s 15th studio album was release in October 2007 via Bodog Music.

Now with Nuclear Blast Records, it seems the band has finally found themselves a home:

"Good to be with a label that understands what Overkill are about and what Metal is about in 2010, exciting!" Bobby Blitz The upcoming album features Overkill's latest lineup, which, along with founders Bobby "Blitz" Ellsworth and D.D. Verni, includes guitarists Derek "The Skull" Tailer and Dave Linsk, as well as the newest member to join the band, drummer Ron Lipnicki.

There are few names as well respected as Overkill, and with the resurgence of metal in the music world, this band is poised to return to the top. Overkill are ready to show mature metal heads they still have it and are geared up to teach the new schoolers exactly how it's done.

"Ironbound" is one hell of a thrashing piece which leads the band back to their oldschool roots!
Nile
Nile
"History is Philosophy teaching by examples." – Thucydides, Athenian historian, c. 460 – 400 B.C.

It's been said that one of humanity's greatest attributes is our desire to remember. In light of the ancient world's epic tales of invasion, occupation, conquest, enslavement, domination, and all-out war, situating history against the equally violent passages of death metal music in such a thorough a...nd reverent way had yet to be achieved until the birth of NILE.

With films such as Ben Hur, The Ten Commandments, Land Of The Pharoahs, and Sodom And Gomorrah capturing his childhood imagination and driven by his own insatiable adult quest for unbridled sonic extremity, it was one nation's ancient culture – namely, Egypt – that fueled NILE founder, guitarist, vocalist, and head archeologist Karl Sanders' passion to learn of Egyptian gods and goddesses, temple carvings, inscriptions, papyri writings, hieroglyphics, and tomb paintings depicting battles, rituals, and religious ceremonies. Luckily, his encyclopedic knowledge has not been desecrated by amnesia. So vigorous did Sanders' zeal grow that it merged into the band's consciousness, elevating NILE into a peerless realm of flawlessly executed music and captivating lyrical content.

Formed in 1993 by Sanders, bassist / vocalist Chief Spires, and drummer Pete Hammoura, then later augmented in 1996 by second guitarist Dallas Toler-Wade, NILE's symphonic arrangements unleashed a unique approach to their uncompromising technicality and Middle Eastern-tinged songwriting with their two EPs, Festivals Of Atonement (1995), Ramses Bringer Of War (1997), and their first full-length, 1998's Amongst The Catacombs Of Nephren-Ka. Rightfully earning themselves a world tour with Morbid Angel and a festival debut at Dynamo Open Air in 1999, NILE were quickly gaining an onslaught of new fans that revered them as one of metal's most devastating new bands. Once home (and with the assistance of drummer Derek Roddy after Hammoura tore his shoulder), Sanders and company began work assembling and arranging the song fragments and ideas that were fermenting while on the road. Every night was spent obsessively researching (the lyrics alone took a year to finalize!), composing, arranging and re-arranging before entering Soundlab Studios in Columbia, South Carolina with producer/engineer Bob Moore to record the result of their meticulous labor: the masterfully grandiose and cinematic Black Seeds Of Vengeance, Terrorizer Magazine's coveted "Album Of The Year" for the year 2000.

Relentless touring through the U.S. and Europe followed, and it would be two years before the band would return to work with Bob Moore at Soundlab Studios (with new vocalist & bassist Jon Vesano replacing Chief Spires and drummer Tony Laureano replacing Hammoura in tow) on In Their Darkened Shrines, enthusiastically commended by Terrorizer Magazine as "a hair's breath from perfection" and giving us the live staple "Unas Slayer Of The Gods." NILE joined road forces with Arch Enemy, Napalm Death, Voivod, Strapping Young Lad, Danzig, Opeth, and Superjoint Ritual, made renowned appearances at Italy's Gods Of Metal and Fields Of Rock festivals, headlined in Japan for the first time, came back to the States to tour with Kreator and Vader, then returned to Europe for the X-Mass Festival.

Again, the band would rest before committing themselves to recording 2005's Annihilation Of The Wicked with engineer Bob Moore and producer/mixer Neil Kernon (Judas Priest, Nevermore) at Soundlab. Incorporating African choirs and the exotic instrumentations from sitars, tables, tempuras, and kettle drums, the album was summed up best by Guitar World Magazine who branded it "the perfect soundtrack to a blinding, flesh-burning apocalypse." Showcasing the drum talents of George Kollias, Annihilation validated every accolade heaped upon NILE. Tours with King Diamond, then Hypocrisy & Decapitated followed in the U.S.; with Unleashed, Hate Eternal, and Behemoth and later Incantation and Dying Fetus through Europe; and a festival appearance at Norway's Hole In The Sky kept NILE on the road for over a year, leaving audiences in awe with their exhaustive work ethic, their tenacity & persistence, and their mind-numbing musicianship.

Two years and a new record label later, NILE return in the full glory of all their majestic malevolence. Clean, articulate, studied, and rooted in the algebraic drumming and incendiary blast-beats of George Kollias and the Mach-3 tandem guitar work and double-vocal assault of Sanders & Toler-Wade, Ithyphallic (referring to the ancient practice of portraying statues of gods with huge, mystically-proportioned phalluses as a sign of strength and fertility) continues to advance the scope and magnitude of death metal. A bold statement of ancient ferocity, NILE's fifth album is resplendent with epic arrangements and savage extremity and is testimony to the band's extreme range of expression manifested through a variety of tempos & time signatures and their intelligent subject matter, which – when combined - invokes an unmistakable power. Retaining the band's exceptionally high standard of sound is long-time engineer Bob Moore; Ithyphallic's sonic clarity comes courtesy of Neil Kernon's painstaking production.

No band has ever committed themselves so deeply within a subject matter as has NILE, as demonstrated by the tracks "Ithyphallic," "What Can Safely Be Written," "The Essential Salts," and the ravaging "Papyrus Containing The Spell To Preserve Its Possessor Against Attacks From He Who Is In The Water." "Karl Sanders," observes Decibel Magazine, "plays with one foot on the Great Pyramid, the other on Sirius B, and every atom of his considerable technique harnessed in the service of the Other." Noted for their individuality, NILE inspire the exploration of new paradigms among their colleagues. " Ithyphallic is doomy, twisted, and warped, yet intricately crafted with brutal and intense clarity and pronunciation," writes Brave Words And Bloody Knuckles, "a scourge that proves NILE is one of the most important death metal bands today."

If history is fundamentally a record of human interaction and if possessing knowledge of the past can grant us the key to our future, the question begs to be asked: are we doomed to live out the same horrors, the same curses, the same trappings of greed as have so many civilizations before us? Come. Your personal history lesson awaits you…
Khaotika
Khaotika's sound is a combination of the members' influences that bring together clean and high pitch scratch vocals, supporting lows and growls. Musically, it is a blend of occult rock, black and death metal riffs with heavy drums topping the classical melodic metal harmonization, making it as their original, unique sound.

After years put in individually by each of the members involved in different projects, the band was formed in January 2014 and released their first EP in May 2014, along with a first official music video to "Muerte" – by El Jinete Films, followed by a single "Hollow Grounds", released in March of 2015, and their newest full album, The Flame Unleashed, released in November 11th, 2015.

The EP, single and the new album (released 11.11.2015) was recorded in Prian Studio in Atlanta and mastered in Necromorbus Studio in Stockholm, Sweden, known worldwide from recordings of bands like Watain, Destroyer 666, Mayhem, Funeral Mist, and more.

In April of 2015 the band has lost their drummer during a fatal car crash while on tour with Kult ov Azazel and Wormreich, leaving the vocalist in a severe, life threating condition and a total arm reconstruction, and 2 other members with severe damage.

Today Khaotika is fully recovered in a full, new lineup, and has finished a new album, as well as released a new music video to Heretik Within, with new visual releases coming up.

In mid-October they went again on tour around the Southern parts of America, covering 11 states and playing Knotfest in California, with Inquisition, Belphegor, Kataklysm, Abysmal Dawn, Gwar, Sepultura, and many more, and Judas Priest as a headliner.

The near future has a lot lined up for the band, with many announcements, festivals and touring coming up.

Note: The new album "The Flame Unleashed", as well as their entire work is dedicated to the gods of chaos...
Mosura
Started in March 2013. formerly known as Mothra, Mosura is a 4 piece death metal band Hailing from Atlanta GA. Founding members Jimmy Mendoza(vocals) and Tyler Blalock(guitar) with influences Suicide Silence and Pantera were in search for 2 other members fit for the job. In the summer of 2013, bass player Jonathan Benitez joined and brought influences like Type O Negative to Mosura's sound. Later that year in the Fall of 2013, joined Austin Massingill on drums bringing a Gojira-like sound to the mix. Fast forward to present time and we have Mosura. Mosura is definitely a band you must catch live, not only is it a visual experience but a sonic one as well, low-thundering bass, machine gun drums, shredding guitar, and demonic vocals.
Venue Information:
Variety Playhouse
1099 Euclid Ave NE
Atlanta, GA, 30307
http://variety-playhouse.com/